INTO THE LIGHT

There is a painting technique called chiaroscuro, commonly used in the works of Rembrandt, Vasari, Michelangelo, and Caravaggio, to name a few. It is the intentional use of (dramatic) shadow and light on figures and objects to intensify the moment the artist is capturing. “The Divine Origins of Chiaroscuro” by Paul Barolsky, tells how many Great Masters in Art created works out from this understanding of how God at the very beginning of creation, separates the light from darkness. It was a powerful creative energy. God continues to do that mighty work each and every day. I have always been drawn to the conflict and victory (shadow and light) found within the human spirit. The body can act out this tension so beautifully at times - which is part of the reason why I love painting the human form. In this piece, the dramatic turning of the neck turns an ordinary pose into one that demands attention. The body, full of strain and emotion, caught between two worlds - is receiving from this newfound place of rest. Light is coming down upon this body, representing the Presence of God in this personal moment. No human strength, will or determination can defeat the darkness - but this posture of desperation reveals a deep understanding that the Light is good and can provide much-needed rest.